He has worked professionally in radio, theatre, television and film as a journalist, producer, director and sound designer for more than 30 years. Tim Crook is Senior Lecturer and Head of Radio at Goldsmiths, University of London.
#RADIOEINS IN DEN MORGEN MARION 2004 PROFESSIONAL#
The Sound Handbook is supported by a companion website, textbooks/crook, signposted throughout the book, with further practical and theoretical resources dedicated to bridging the creation and study of sound across professional platforms and academic disciplines. The book covers the history, theory and practice of sound and includes practical production projects and a glossary of key terms. Using an interdisciplinary approach, Tim Crook explores the technologies, philosophies and cultural issues involved in making and experiencing sound, investigating soundscape debates and providing both intellectual and creative production information. Professor Seán Street Bournemouth University The Sound Handbook maps theoretical and practical connections between the creation and study of sound across the multimedia spectrum of film, radio, music, sound art, websites, animation and computer games entertainment, and stage theatre. Tim Crook has written an important and much-needed book, and its arrival on our shelves has come at a highly appropriate time. For students and their teachers alike, there has never been a more significant moment to grasp the opportunities afforded by these exciting changes and, crucially, to apply the theories underpinning the practice across the various fields. The challenge is to retain, through the dazzling technical opportunities, a sense of understanding for the role sound plays in the content itself. Be it radio, film, theatre, games, the internet – or, indeed, increasingly the world of the gallery and museum – the common denominator will always be sound. The emerging practitioners of today and tomorrow face a multimedia environment in which their skills and understanding must be equal to the test of emerging platforms, technologies and genres. The Sound Handbook Today we inhabit a media world of sound that is truly interdisciplinary, in which the old boundaries no longer apply. A 'Village' stage was added on Saturday and Sunday running from later afternoon to mid-evening.4 Sound practice and theory in stage theatreħ Sound practice and theory in animation and gamesĨ Sound practice and theory in art exhibition and installationĩ Sound practice and theory in Internet broadcasting and podcasting The 1970 Festival was a four-day event for the only time in its history, with a South of England Local Talent session in the main arena on the Thursday evening. Four bands played sets each night, three of which also appeared on the main stage on the same day.ġ968 Main Stage Sunbury Friday 10 Augustġ969 Main Stage Plumpton Friday 8 Augustġ970 Main Stage Plumpton Thursday A second "Marquee" stage was added on Saturday and Sunday evenings. The Nice also acted as backing band for P P Arnold. Pink Floyd pulled out on Saturday evening due to singer/guitarist Syd Barrett's health problems and were replaced by The Nice. Cream were billed as ' Eric Clapton – Jack Bruce – Ginger Baker' as the band were still unnamed when promotional posters & advertising were printed.ġ967 Main Stage Windsor Friday 11 August The Festival moved to the larger Windsor Racecourse venue in 1966 after five years at Richmond Athletic Ground.
The third NJF Festival saw the first non-Jazz acts appear, notably the Rolling Stones and Long John Baldry on the Sunday afternoon.
0 kommentar(er)
